Also, an excuse for no longer having to wear white, pink or lots of black. ![]() The remaining benefit from this conundrum is for me to be able to avoid my worst colors near the face, a very coordinated wardrobe in spite of containing various seasons, and to observe people and their color choices, as it tells a lot about them. If a working system existed, it would be easy for people to assess themselves and then be happy with the results once and for all. In the end, I believe the system is deeply flawed, although so very alluring. When I put all the garments I truly love on a separate pile, I can see that I have now roughly an SA/SS wardrobe for summer (with a few bright accents sprinkled in) and a DA/dark SA wardrobe for winter. How do I feel in it? No mirror, no photos, no opinions from others. So I went back to assessing each garment individually. Like buying a new shirt, being all happy about it, until doubt sets in - what if I'm not in that season after all? It's just ridiculous. It turned out to be yet another trap for being afraid of errors and self-sabotage. Maybe I'm even DA or TS, but I hate most cool colors, so those are not an option (the smoke in SA makes them quite bearable). ![]() After going back and forth between Dark Autumn, Soft Autumn and Soft Summer off and on for a long time, I could never figure out if I'm warm or cool, or too soft for Dark Autumn (though dark enough very probably), nor could anyone else I asked for an opinion (including a few painters and fellow artists). It doesn't seem to be a value contrast issue so much as that he needs some darkness, but not too much. Dark Autumn seems to be the closest, but he does best in the relatively lighter and brighter colors from that palette. He can't do softness, but he also can't wear black. He's most definitely an Autumn, but he can't do saturated colors, so not True Autumn. My partner seems to fall between seasons, and it's a bit frustrating. ![]() I'm Soft Summer and can get away with Soft Autumn colors and a few Dark Winter colors, but saturation makes me look like death. My sister needed the warmth more than the softness, for instance, while my daughter and mother needed both. It was really interesting to see how what was most important to people varied. I'm surrounded :') I used your draping cards for them (and for several other people of different seasons, so I don't think determining that so many people I know are Soft Autumn was due to an unconscious bias). Some shimmer is desirable, but too much can be overwhelming.My daughter, mother, sister, and two friends are Soft Autumn. Interestingly, you can go quite a bit darker than you think and create bold shadow emphasis and once blended, it still looks natural.Īvoid overly shimmery bronzers, though. Instead of bronzer, you can also use a slightly darker powder than your foundation. You can use bronzer both as contour and brow bone colour. Shadows go dark in Dark Autumn clothing, and so they should on the face. ![]() Some trial and error may be required here to find your best shade.Īutumn is about low lighting. The best bronzers for Dark Autumn are neither too orangey nor too muted. They can go quite deep - especially if your complexion is on the darker side. Dewy or shiny finishes will look off on you.Īvoid pink- and blue-based foundations that will clash with your warmer colouring.īronzer is a great product for all Autumns! It brings out a healthy, golden glow in your appearance. Generally, though, foundation and concealer are best when they have more of a matte or satin finish.
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